I was already thrilled when CRAFT accepted two of my micros. so I'm doubly thrilled that they've nominated "After Dinner" for BEST MICROFICTION 2020.
November 30-December 6 is Small Press Week, and Julie Zuckerman, author of the wonderful novel-in-stories THE BOOK OF JEREMIAH, just posted a photo of small press books she's read recently. Yes, that's THE MISSING GIRL on the top of the stack! Two writers on twitter just ordered the book last week. I'm so pleased to be getting new readers, two years after my pub date.
A while ago RAPPAHANNOCK REVIEW solicited work from me (after reading my flash "The Arithmetic of Memory" in LITTLE FICTIONS/BIG TRUTHS). They had a deadline. I wrote a segmented lyric essay "Octopus Dreams" and sent it. I didn't send it anywhere else. Today they accepted it. Writing should always be this easy!
The amazing Swiss Ukranian Canadian writer (and dancer) Genia Blum profiled me today as "Five of My Faves" in THE POETRY QUESTION. Cool news to wake up to.
It never rains but it pours. Two micros and a flash out today!
So excited to join the roster of great writers in GHOST PARACHUTE, a magazine I love. This issue includes Meg Pokrass, Meg Tuite, Sudha Balagopal, Epiphany Ferrell!
Their archives are amazing too. Here are just a few of my favorite authors that Ghost Parachute published in 2019 (all writers whose careers I follow): Tara Isabel Zambrano, Tara Campbell, Chelsea Stickle, Evan James Sheldon, Kim Magowan, Claire Polders, Meg Pokrass, Patricia Q. Bidar, Len Kuntz, Paul Beckman, Jennifer Kircher Carr, Christopher Allen, Corey Farrenkopf, Vineetha Mokkil, Cathy Ulrich, Scott Garson, Marisa Crane.
Big thanks to editor Brett Pribble for publishing my story “Raining Blackbirds,” and Katiana Robles for the art.
And I totally forgot on my social media posts: Big thanks to Kathy Fish and the fellow Fast Flashers in the reunion last spring, where this flash was conceived. I can’t remember the prompt, but Kathy’s prompts always inspire me. As she does, and the accomplished writers in her groups. If you're looking for an online flash class, try one of hers!
CRAFT Literary Magazine uses “craft as a focal point and a lens through which to present fiction,” including “an author’s note which discusses the craft in the story” with each of the works they feature. They pay their authors. They’ve published more well-known writers than I can begin to count. I’m so thrilled that my flash fictions “Girls in the Woods” and “After Dinner” will launch a month devoted to flash. Here’s my Author’s Note on the flash.
CRAFT introduces the two flash with beautifully perceptive comments that create a great context for the two flash:
“We’re excited to kickoff our all-flash November with this pair of flash pieces by Jacqueline Doyle, “After Dinner” and “Girls in the Woods.” There is strong interplay between these two stories—both emphasize plot with the possibility of multiple plots; both feature a third-person narrator with omniscient distance that works to hold mystery; both implicate an institutionalized violence against women so inherent that the result challenges our expectations by subverting the collective familiar.
In “After Dinner,” Doyle unspools tension with a belligerent husband “fumbling with his keys” at the front door, and a woman inside who has, perhaps, had enough: “Her name might be Nancy, Carla, Joy. She could be young, old, middle-aged. So many women sit at their kitchen tables every night, drinking tea.” Be sure to read Doyle’s author’s note for more about constructing this character.
“Girls in the Woods” is a breathless flash that feels like allegory or fairy tale come to life. Fairy tale logic reminds us that these girls are a part of a history of violence. Like the everywoman in “After Dinner,” the girls here serve as our stand-ins or surrogates for this violence. On this All Hallows’ Day, Doyle opens our month of terrific flash by defamiliarizing and defying resolution. “ --CRAFT
Big thanks to Editor in Chief Katelyn Keating and Flash Editor Tommy Dean.
Lots of really positive responses from readers of "Looking for Rick," one writer from Bread Loaf reminding me to "keep taking chances." I am way too nervous about taking chances. On stories about blow jobs, at least. Once again, I seem to have more readers on Facebook than twitter. Or my twitter readers don't like the story as much as my Facebook readers, who overlap, but aren't the same. Social media provides such direct contact with readers, makes publishing seem real.
My excited tweet about FOURTH GENRE has elicited an avalanche of congratulations, 550 likes and still climbing. It really does feel like a career high point to me, maybe even more than the five Notable listings in BEST AMERICAN ESSAYS. Embarrassingly, one of the editors (Joey Franklin) noticed the post and wrote a nice response.
I always check my horoscope in the local paper. Today was my second five star day in a row, and well, yes. I think I'm going to faint. I just got an acceptance letter from FOURTH GENRE for my essay "On Being Told Her First Husband." FOURTH GENRE is at the very top of my bucket list for creative nonfiction. I've wanted to publish there for YEARS. Since I started writing essays. Before I started writing essays. Steve and I have subscribed to FOURTH GENRE for ages (and he's published there, more than once I think—a year or two ago he published "Hopper in the Train Yard" in FOURTH GENRE, one of my very favorite of his essays).
Here's what they said about the essay: "Our readers, and we editors, found it to be beautifully written and deeply reflective as it is willing to interrogate self, other, past. "
I didn't know that Patrick Madden and Joey Franklin, both really top essayists, were the current editors. I noted yesterday that Patrick Madden had just started following me on twitter, and said to Steve, "Oh, great, Patrick Madden is following me just in time for my blow job story."
A new flash at QUEEN MOB’S TEAHOUSE, an international journal that publishes “weird, serious, gorgeous, cross genre, spell conjuring, rant inducing work. … A platform that speaks to your cravings, fantasies and heartbreaks; your daydreams from your lunch break; your good and bad choices; your contradictions; your process.” I had no idea where to send a depressing flash fiction about alcoholism and a blow job, and I have no idea what my usual readers will make of the story (why would you want to write about something like that, someone like that?). I was just about to retire “Looking for Rick,” but when I reread it, I felt like the character needed to be heard. So I queried QUEEN MOB’s, who’d had the story for a very long time, and editor Jessica Sequeira wrote back to me immediately with an acceptance. (Love that she calls the story “horrifying in a subtle way.”) Lots of writers I admire have appeared in the Teahouse. Excited to see that Monday’s flash fiction was by A.E.Weisgerber!
I also had a recent acceptance from GHOST PARACHUTE, a magazine I’ve been trying to get into for a while, that’s published tons of my favorite flash writers. Flash coming out soon in MINNESOTA REVIEW, CRAFT, RHYTHM & BONES, CRACK THE SPINE and PITHEAD CHAPEL as well.
A new cnf flash that I love was just rejected by a magazine where I thought it was a perfect fit. Not one of their soft rejects. Hard to know where to send it next. I have a lot of new work coming out, but I've also been getting a lot of rejections.
F(R)ICTION has arrived in my mailbox! I was so excited when the gorgeous and innovative print magazine F(R)ICTION solicited work from me, and when, after a long, long, LONG editorial process, they accepted “The Lunatics’ Ball.” This piece is particularly close to my heart, and will be the opening to my longer project THE LUNATICS’ BALL, if I ever get it off the ground. Very grateful to editors Dani Hedlund and Andrew Jimenez, and particularly to senior editor Kaley Kiermayr, who devoted a great deal of time and attention to this work.
F(R)ICTION has published creative nonfiction by Lee Gutkind and Phillip Lopate, poetry by Kwame Dawes and Mary Ruefle, flash by Kathy Fish and David Galef. They do graphic comics and provide original artwork for each piece. “F(R)ICTION stands out for the sheer kinetic energy of its illustration,” says NEON MAGAZINE. “Drawings spill across every other page in a way that might seem reckless were it not so good-looking.” Their mission: “F(r)iction is different. The brainchild of a ragtag team of editors, artists, and writers, F(r)iction is the best of everything we’ve ever loved. F(r)iction is experimental. F(r)iction is strange. F(r)iction pokes the soft spots, touches nerves most would rather remain protected. F(r)iction is secrets and truths and lies.”
Very cool to see my name gracing the front cover.
In other news, some 800,000 PG&E customers in Northern and Central California will be without power starting at midnight. Castro Valley, where Steve and I live, and Hayward, where we teach, are on the list. I put out a couple of flashlights and some candles and matches, but we're not exactly prepared.
I still don't have a copy, but Sara Lippman (a flash writer in the Wigleaf Top 50, author of DOLL PALACE) just posted a picture of the cover of F(R)ICTION on twitter, commenting on "how the light casts holographic magic" on it, mentioning my story as one of two "powerful gems" in the magazine. When I wrote back, she said, "The Lunatics' Ball is magnificent (and a brilliant book title.…)." I wondered who would see the story in a print magazine, so I'm thrilled to have a writer-reader.
Got my copy of BEST AMERICAN ESSAYS 2019. Really pleased to see that my friend Alia Volz, the moderator of my San Francisco writers group (and author of the forthcoming book HOME BAKED), has a Notable Essay too! It's one I saw in drafts, and read in RIVER TEETH, which Steve and I subscribe to. Steve has an essay coming out with RIVER TEETH in their next issue.
And another! My friend Frances Lefkowitz (author of TO HAVE NOT), also in my rad writing group, has a Notable for a wonderful essay she published in CATAMARAN LITERARY READER (which we also subscribe to). So cool! CATAMARAN is a gorgeous magazine (lots of art) out of Santa Cruz, and the editors Catherine Segurson and Elizabeth McKenzie are super-nice. They've published Steve twice, me once, and they did a launch party for my chapbook THE MISSING GIRL. Steve and I were in their offsite AWP reading last spring.
What are the odds that any writing group would have three Notables in the same year?