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Looking forward to reading at the launch for Sasha Vasilyuk's paperback on December 9 at the Sycamore in The Mission.
I was just invited to participate in a nonfiction journal editors' panel in Hannah Grieco's essay-writing intensive class at The Writer's Center, 2:15-3:15 on Saturday, January 31. And I'm sitting on news so amazing that I still can't believe it. I shouldn't share it yet, but soon. A great Thanksgiving gift. Nice coffee today and lunch yesterday with a fellow writer, Patricia Q. Bidar, and my fellow CNF editor at CRAFT, Shara Kronmal, here from Chicago for her son's wedding. We correspond all the time, but I've never met Shara in person.
While I was reading two great micros that Patricia published today, I was interrupted by Olga Zilberbourg's post for the December 9 reading at the Sycamore, then Sasha Vasilyuk's request for a bio for the reading. I'll post the flier below. And then I was interrupted by an acceptance from BENDING GENRES for "Some Come Back," a strange medley/riff on Poe stories that I just sent them yesterday. I had no idea at all where to send such a strange composition, or what genre to call it. Hybrid, certainly. It will appear in their next issue, in December. Great state election results nationwide (finally something to celebrate). I rushed through an acceptance at CRAFT of a CNF flash I'm in love with. Really really in love with. And I got an acceptance of a flash fiction from NUNUM today ("we love it, you popped our heads"), a fun Canadian zine where I published "Super Stanley" (also a monologue from a somewhat unreliable narrator). They were nice enough to nominate "Super Stanley" for a Pushcart and Best Microfiction. Here's the cover from that issue. Looking forward to the art in Spring 2026. Combining art and flash is their thing. More good news! CRAFT has two Notable Essay listings in BEST AMERICAN ESSAYS 2025! Elissa Lash, "Twelve" and Starr Davis, "Pawn." So exciting for an online journal that just started publishing CNF five years ago. We've now earned seven Notable Essay listings. My great CRAFT editorial assistant Amy Cook let me know that ASSAY: A JOURNAL OF NONFICTION STUDIES posted my essay on Judith Ortiz Cofer from ages ago on their Instagram account today. (Amy has also published in ASSAY, an amazing online journal combining scholarship, pedagogy, and reflections on nonfiction. I wish it had been around when I was first teaching.) A couple of hours later it occurred to me to look at their other social media accounts, and they've posted it on Facebook and BlueSky too.
It's nice to see "Shuffling the Cards: I Think Back Through Judith Ortiz Cofer" get some new life. The series of eight academic notecards structuring the essay are not what I'd include today, but my narrative about my students and classes brought them back for me. It's interesting to relive that point in my life when scholarship/teaching/creative writing intersected, before I embarked on my new trajectory of writing/editing and left scholarship and teaching behind. I miss the students at Cal State East Bay. Here's what ASSAY says on Facebook: "This Pedagogy Monday, we’re highlighting Jacqueline Doyle’s essay “Shuffling the Cards: I Think Back Through Judith Ortiz Cofer” from Assay issue 4.1. In this piece, Doyle invites educators to re-deal the deck of narrative inheritance, examining how Cofer’s storytelling threads oral traditions, cultural memory, and generational change into classrooms. By using cards, metaphors, and shifting perspectives, she challenges us to help students shuffle through whose voice leads, how stories get passed on, and what it means to write from the middle of history." I love the illustration they chose: |
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