The lovely Swiss Ukranian Canadian writer Genia Blum included my flash "Pretty Girl" in her list of "Hot Picks of 2018" at QUEEN MOB'S TEAHOUSE today. An unexpected compliment!
I'm trying to redesign my creative nonfiction workshop, which is turning out to be difficult and a lot of work, and really should be completed by today or tomorrow, so I can get the 9-page syllabus photocopied by the university. Still didn't get the Christmas tree down, still awash in file folders and stacks of papers and books in my study. How did this long vacation suddenly get so short?
Nice interview with Diane Goettel, Executive Editor at BLACK LAWRENCE PRESS at the Kenyon Review blog. I'm still so thrilled to have won their Black River Chapbook Competition (what are the odds with 500 entries or so?) and to have landed at such a woman-centered press. Here's what she says about some of their recent themes: "I’m always thinking about our readers when I’m reviewing manuscripts that have come in through one of our contests or open reading periods. How will the manuscripts that we choose for publication serve them? Recently, for example, we’ve published a number of titles that specifically speak to current important conversations. The poetry collections The Truth Is by Avery M. Guess and Three Hands None by Denise Bergman (both forthcoming in the spring of 2019) focus unflinchingly on sexual violence against women. So does Parse by Ruth Baumann, due out this month; prey by Jeanann Verlee, published this summer; and The Missing Girl, by Jacqueline Doyle, published in 2017. Our recent list also includes a number of titles that grapple with issues of gender and sexuality–Past Lives, Future Bodies by Kristin Chang, Mosaic of the Dark by Lisa Dordal, The Summer She Was Under Water by Jen Michalski, Wasp Queen by Claudia Cortese, and With Animal by Carol Guess & Kelly Magee. Tornado Season by Courtney Craggett (due out next month) and Jillian in the Borderlands by Beth Alvarado (just acquired) are both short story collections squarely located at the US-Mexico border. And it Begins Like This by LaTanya McQueen, Blue Hallelujahs by Cynthia Manick, and Patient. by Bettina Judd, all illustrate and investigate the experiences of Black women in America."
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