As always, my Twitter flash community is so supportive! It's the perfect place to read flash by others and have others read your flash. Gratified by the responses to my newest, many from writers I know less well or not at all this time.
Taking a break from writing for the Lunatics project. Thinking that I've been writing too soon after doing research, trying to incorporate all the details and document them in notes at the back. When I wrote about Freud's Dora (I still like that piece and plan to include it), I immersed myself in the text and secondary research and then just riffed, no footnotes except to Freud's case study. Maybe I should be doing that here.
Great essay by Sarah Menkedick in LONGREADS about the difficulties of research. "What made this second book so difficult was research: not the process of doing it, not compiling and organizing it, but the quandary of how to make it creative." She talks to Leslie Jamison, Carina Chocano, and Elena Passarello in "Behind the Writing: On Research."
Lots of bits I love here. Here's one. "When I asked Jamison how she maintained a consistent voice in the research and personal sections, she gave several answers. The first was that she went through tons and tons of drafts. She edited the book down into smaller and smaller sections, from 20 to 25 page sections to 4 to 5 page ones. 'What makes the prose feel like a song rather than a march,' she explained, 'is when you list away all the stuff that doesn’t need to be there and you let its details breathe, and you feel like it has that freedom of movement.'”
Hoping to manage that song rather than the march.